Dr. George Carter, professor of geography at the Johns Hopkins University, discusses elephant drawings as the key to the controversy of whether or not the American Indian civilization was influenced by European and Asian civilizations. Examples of elephant drawings made between 1500 B.C. and 500 A.D. in such diverse places as England, Ceylon, China, and Siam are often stylized or abstract whether the animal is native to the country or not. Similarly, a Greek coin displays an elephant likeness. However, during this period in Central America, Mayan statues, carvings, and writings and Aztec art and rituals distinctly show elephants even though there were none to copy nor anyone to describe them. Thus Dr. Carter maintains that Asian peoples must have brought drawings or statues of elephants to Central America over 2,000 years ago. The proof he offers for this theory is the Thor Heyerdahl transpacific raft voyage (proving such a trip could be made in a primitive vessel), identical temples 12,000 miles apart in Mexico and Cambodia, identical Sumatran and Mexican folding bark religious books, identical fishhooks from Easter Island and California, physical attributes of Central American and Asian Indians (photos show one of each, both playing nose flutes), and plants appearing in lands too far from original sources to have blown there. In closing, Lynn Poole shows additional examples of elephant artwork found in the United States.